In The Night Kitchen

written and illustrated by Maurice Sendak

Harper Collins 1970

I remember this book from my childhood, partly for its trippy story and partly because it featured scandalous nudity (we were lucky to have this book in our school libraries un-censored, as it was — and still remains — on the list of challenged or banned books purely for that glimpse of naked boy). It reads like a comic book with a mix of speech bubbles and captions, and the way Mickey floats dream-like between the fantastical “sets” is wonderful. Children accept the story with innocence, but if you enjoy finding darker meanings you might notice Sendak taking inspiration from the Holocaust that shaped his own childhood. The perfect book for non sense.

Little Blue

written and illustrated by Gaye Chapman

Little Hare Books 2009

Little Blue looks and feels like an old-fashioned folk tale. Delicate ink and watercolor illustrations and a little hero called Will who wears t-bar sandals and brandishes sticks in an adventurous way. It stands out on our bookshelf, small, cloth-bound with embossed title, amongst the bigger, louder picture books. The story is really delightful, with a very clever twist, and weaves between fantasy and reality. The perfect book for the old-fashioned child.

“Everybody talks about the weather, but nobody does anything about it.”

—Mark Twain

Seasons

written and illustrated by Blexbolex

Gecko Press 2010

Seasons is a beautifully playful and witty book by the French artist and illustrator, Blexbolex. His silk-screen illustrations have a retro-inspired minimalism influenced by the whodunits of the 1950s and 60s, and abound with colour and movement. The “story” is narrated with single words or phrases and flows from page to page through the seasons. Sometimes the pairing of word and picture is a statement of the obvious, sometimes it is an oblique reference to a feeling or action. It makes for an interesting read, as small inquiring minds ask with wide eyes, “But why, Mama?”. The perfect book for watching the weather.

Captain Slaughterboard Drops Anchor

written and illustrated by Mervyn Peake

Walker Books 2009 (70th Anniversary Edition)

The story of Captain Slaughterboard and his motley crew aboard The Black Tiger is a real swashbuckling yarn full of rum, tobacco, sharpened steel, bad ink and finding your inner peace… which is nice, really. Peake has created some fearsome pirates and illustrated each with such wit and detail that you can almost smell them from the pages. The pen and ink drawings are elaborate with barnacle-encrusted flourishes and are complemented well by the hand-lettered narrative that is oh so droll. The perfect book for the little pirate.

Other Goose

written and illustrated by J.otto Seibold

Chronicle Books 2010

I love Seibold’s books (it was his Penguin Dreams that first started my interest in children’s books) and this book is no disappointment. The illustrations are a fantastical merger of Seibold’s signature computer-drawn graphics with a rococo flair, all laid on spray-painted backgrounds in a Technicolor palette. And the cover has glitter! Sound too much? Noooo. Never. Not when paired with an absurd re-jig of old classic rhymes (which, let’s be honest, weren’t so solid anyway — “Hey diddle diddle the cow jumped over the moon”?). The result is gelastic, an hysterical pairing of illustration and verse. The perfect book for giggles and nonsense.

Ugly Fish

written by Kara LaReau, illustrated by Scott Magoon

Scholastic Australia 2007

A gripping, cautionary tale set in the ruthless badlands of the domestic fish tank, Ugly Fish pulls no punches, there is no fairy-tale ending for these fish… But there is a humorous little story with some great characters and a wonderfully satisfying moral to wrap it all up. The illustrations are delightfully ugly; drawn in pen and ink then digitally coloured, presented on a matte stock. The perfect book for the little bully.

The Gashlycrumb Tinies

written and illustrated by Edward Gorey

Bloomsbury 1998 (first published 1963)

Edward Gorey was one of the most talented (and eccentric) graphic artists to emerge in post-war America, and this macabre little book is one of his finest. An A to Z of children’s names, complete with illustrations of their final moments, all narrated in rhyming dactylic couplets. The deadpan delivery gives it the feeling of a public record, and the fine cross-hatched illustrations point to the Victorian fascination with death and childhood innocence. The perfect book for anyone who ever painted their fingernails black.

Duck, Death and the Tulip

written and illustrated by Wolf Erlbruch

Gecko Press 2008

A charming, heart-warming story about … death. Death in a dressing gown and slippers. And about Duck, who makes friends with this strange character, Death. The charm of the story comes from the simple pencil drawings of its awkward characters, and their honest, unhurried words. The ultimate passing of Duck is so unremarkable as to bring perspective to the business of death. A wonderful, reassuring perspective that we often lose sight of in the face of loss. “But that is life, thought Death.” The perfect book for talking about death.

Dogs

written and illustrated by Emily Gravett

Macmillan 2009

This is the kind of book that your children learn off by heart, and surprise you by “reading” back to you. An encyclopaedic list of the narrator’s favourite dogs and their doggy traits, cleanly illustrated in pencil and watercolor. The simple, repetitive text quickly captures a child’s attention and the pages come alive with the bounding energy of their canine characters. The perfect book for the dog lover.